The Defiant Middle: How Women Claim Life’s In-Betweens to Remake the World
from Broadleaf Books
For every woman, from the young to those in midlife and beyond, who has ever been told, “You can’t” and thought, “Oh, I definitely will!”–this book is for you.
Women are expected to be many things. They should be young enough, but not too young; old enough, but not too old; creative, but not crazy; passionate, but not angry. They should be fertile and feminine and self-reliant, not barren or butch or solitary. Women, in other words, are caught between social expectations and a much more complicated reality.
Women who don’t fit in, whether during life transitions or because of changes in their body, mind, or gender identity, are carving out new ways of being in and remaking the world. But this is nothing new: they have been doing so for thousands of years, often at the margins of the same religious traditions and cultures that created these limited ways of being for women in the first place.
In The Defiant Middle, Kaya Oakes draws on the wisdom of women mystics and explores how transitional eras or living in marginalized female identities can be both spiritually challenging and wonderfully freeing, ultimately resulting in a reinvented way of seeing the world and changing it. “Change, after all,” Oakes writes, “always comes from the margins.”
The Nones Are Alright: A New Generation of Seekers, Believers, and Those In Between
The ascent of the “Nones”, those with no religious affiliation, has puzzled religious leaders from every denomination. But the increasing number of people in their 20s, 30s and 40s who have walked away from, or have never belonged to any religion, means that up to 40% of not one but two entire generations of Americans have chosen to live life without a traditional religious practice.
And yet, some members of Gen X and Gen Y have chosen to embrace religion, but they’ve done so in a DIY fashion, recreating religion for a new generation of skeptics, in a time when past ideas of career, home ownership, and the nuclear family model are all changing. Through profiles of dozens of individuals, this book investigates how and why the exodus from organized religion is occurring, and contrasts the stories of Nones, atheists and agnostics with the stories of those who took different tracks: those who defied the trend and found religion as adults, or experienced a conversion from the religion of their childhood to a completely new set of beliefs, and those who’ve remained in the religion of their childhood, but have reimagined and redefined what religion means.
Nominee, Religion News Service Best Book of 2015.
“Kaya Oakes has written the Growing Up Absurd for 21st century religion — honest, inconvenient for the status quo, yet hopeful. The Nones Are Alright is an essential primer on the challenge religion faces today and a case for why that challenge is so worth meeting.”
– Nathan Schneider, author, God in Proof
“This beautifully written book describes many examples of the ‘nones’ — those who say they have no religious affiliations — and their aspirations and conflicts around faith.”
– Tanya Marie Lurhman, author, When God Talks Back
“This book proves once again that Kaya Oakes isn’t afraid of honest conversation or tough questions. Through her interviews and reflections, she reminds readers that the spiritual life can involve both wonder and wandering and that growing in faith sometimes feels a lot like doubt.”
– Kerry Weber, managing editor, America and author, Mercy in the City
Radical Reinvention: An Unlikely Return to the Catholic Church
As someone who clocked more time in mosh pits and at pro-choice rallies than kneeling in a pew, Kaya Oakes was not necessarily the kind of Catholic girl the Vatican was after. But even while she immersed herself in the punk rock scene and proudly called herself an atheist, something kept pulling her back to the religion of her Irish roots.
This is a story of transformation, not only of Kaya’s from ex-Catholic to amateur theologian, but ultimately of the cultural and ethical pushes for change that are rocking the world’s largest religion to its core.
Oakes… not only treats readers to gorgeous prose, but manages to provide an overview and history of the best of the Catholic faith, without losing momentum.– Starred Review, Publishers Weekly
Honestly, humorously, and irreverently recounted… A clarion call for an institution’s radical reinvention.– Booklist
Bold and affecting… passionate …informative, irreverent, and often hilarious, Oakes has written one of the most important books about religion of the year.– LargeHearted Boy
Turns the typical conceit of the conversion memoir on its head… a fascinating window into the world of belief that doesn’t lead the reader to a foregone conclusion about the nature of God or Christianity– Zyzzyva Magazine
Her eventual belief in a church that meets the needs of everyone, sinners and skeptics alike, is palpable — and perhaps enough to get other disenfranchised believers to look twice.– Bitch Magazine
Slanted and Enchanted: The Evolution of Indie Culture
You know the ethos: DIY with a big helping of irony. But what does it really mean to be “indie”? As popular television shows adopt indie soundtracks and the signature style bleeds into mainstream fashion, the quirky individuality of the movement seems to be losing ground. In Slanted and Enchanted, Kaya Oakes demonstrates how this phase is part of the natural cycle of a culture that reinvents itself continuously to preserve its core ideals of experimentation, freedom, and collaboration.
Through interviews and profiles of the artists who have spearheaded the cause over the years—including Mike Watt, David Berman, Kathleen Hanna, and Dan Clowes—Oakes examines the collective creativity and cross-genre experimentation that are the hallmarks of this popular lifestyle trend. Her visits to music festivals, craft fairs, and smaller collectives around the country round out the story, providing a compelling portayal of indie life on the ground. Culminating in the current indie milieu of music, crafting, style, art, comics, and zines, Oakes reveals from whence indie came and where it will go next.
Relays indie’s development … with uncommon insight … [and] makes an impassioned, optimistic case for indie’s vitality that doesn’t assume readers are coming to [the] book already well versed in the subject…. A comprehensive approach to a subject that is too often reduced to discrete parts…. Fresh and perceptive.– San Francisco Chronicle (2009 Notable Book)
[An] absorbing nonfiction study of indie culture…. Oakes is no dry outsider. She believes in what she describes, she contributes to it and she speaks its language.– The Plain Dealer (Cleveland)
[A] lively and highly literate explication of various American indie scenes and art forms . . . [Oakes’] focus on independent publishing and writing—provides a worthy parallel narrative to Michael Azzerad’s essential indie music history, This Band Could Be Your Life . . . Oakes begins the book with a much appreciated primer on some of the intellectual forebears of her book’s central characters, including the poets Frank O’Hara and Allen Ginsberg and the revolutionary street theater group the Diggers. As an explanation and excavation of the already fading recent past, it is essential reading.– Publishers Weekly